The Digital Michelangelo Project
Researchers from Stanford University and the University of Washington are attempting to advance the technology of 3D scanning and place this technology in the service of the humanities by creating a long-term digital archive of some important cultural artifacts. The project focuses on some of Michelangelo’s sculptures, including the famous David statue. Check out two photographic essays about a physical replica of the David and download ScanView, a program that lets you “fly around” models of Michelangelo’s statues.
/tiles/non-collection/W/WIC_Essay1_9_Mott_Anthony_Stanton_ Image courtesy of the Architect of the Capitol Sculptor Adelaide Johnson’s Portrait Monument honors three of the suffrage movement’s leaders: Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony. Unveiled in 1921, the monument is featured prominently in the Rotunda of the . Capitol. Catt’s steady strategy of securing voting rights state by state and Paul’s vocal and partisan protest campaign coincided with the Wilson administration’s decision to intervene in the First World War, a development that provided compelling rhetoric and a measure of expediency for granting the vote. 10 The NAWSA publicly embraced the war cause despite the fact that many women suffragists, including Rankin, were pacifists. Suffrage leaders embraced President Wilson’s powerful argument for intervening in the war to bolster their own case: the effort to “make the world safe for democracy” ought to begin at home by extending the franchise. Moreover, they insisted, the failure to extend the vote to women might impede their participation in the war effort just when they were most needed to play a greater role as workers and volunteers outside the home. Responding to these overtures, the House of Representatives initially passed a voting rights amendment on January 10, 1918, but the Senate did not follow suit before the end of the 65th Congress. It was not until after the war, however, that the measure finally cleared Congress with the House again voting its approval by a wide margin on May 21, 1919, and the Senate concurring on June 14, 1919. A year later, on August 26, 1920, the 19th Amendment, providing full voting rights for women nationally, was ratified when Tennessee became the 36th state to approve it.
Both Hegel and Danto anticipated the art that came after them, but understood it not as progress in a new direction, but as further symptoms of the end of art. Hegel was writing towards the end of the great outburst of creativity known as German Romanticism. He anticipated an increase in the conceptual content of art, a move beyond sensuous art into something radically different. This (incompletely) described many of the features of the great art movements that came after him, which moved away from depicting the world, or conceptual ideas, with complete adequacy, and instead reflected on the very limits of artistic expression itself. Cubism, for example, no longer perfected perspective, or wanted to, but instead interrogated it, and attempted to show us the very limits of the way an artwork might represent something. This can be seen especially in the ‘analytical’ phase of Cubism – for example, in Picasso’s Portrait of Ambroise Vollard (1910).